MUSIC
THEORY/COMPOSITION I
FOR
JUNIOR HIGH
Introduction
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This
course is designed as an introduction to music theory and assumes
no previous musical study on the part of the student; a minimum
of four months experience in a performance-based music class is
helpful. If you, the student, are a musician, involved in a school
or community ensemble (choir, band or orchestra) or have studied
music privately, chances are that you have had little previous
exposure to music theory. As a musician, you have studied certain
skills to improve your performance: rhythm, meter, balance, intonation,
tone, phrasing, dynamics, articulations and tempos. The more you
practice these skills and become part of you, the better musician
you become.
You've
gotten by just fine without the study of music theory, so why
should it occupy your time? The longer that you're involved in
music the more complex and organized you realize it is. The study
of music theory gives you further insights into how music is organized
and put onto paper. Perhaps you have tried your hand at writing
down a short piece for your instrument. You were able to write
down, for example, sixteen measure but couldn't think of what
to do beyond that. Perhaps you tried putting lyrics to a melody,
but in the end were unsure how to write it down.
The
purpose of this course will be to enable you to understand the
music that you listen to and to transfer that knowledge to music
that you will write. Much of what you will learn from this will
seem at first mechanical. You will learn many new terms and concepts,
accompanied by written and aural (listening) exercises to increase
your understanding. As these concepts and ideas begin to gel in
your mind, you will soon begin to apply them to music that you're
studying and then to the music that you'll be writing--the ultimate
test of your comprehension. This course will essentially focus
on six skill areas:
Analyzation
The ability to understand the structure
and design of a piece;
discern patterns
Historical
Learn about the trends in music and how
musical styles
developed over the centuries
Listening
Listen to works that support the topics
being studied
Ear
training Recognizing pitch, intervals, chords,
etc.
Composition
Forms and elements required of a composer
that the student
will integrate into
his/her final project
Performance
Perform a work written by students of the
class as a final project
Technology
The use of music notation software for computer
and the keyboard lab
This
course is offered only offered when enough students
enroll to justify a class.
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